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Mixed media artist Typoe Gran talks about creating sculptures to excite the imagination on Miami’s Underline.
The Underline in Miami is a 10-mile trail that will, over the next few years, repurpose 120 acres of unused land into an urban mobility corridor for pedestrians, dogs, bikers, and skateboarders. The route runs under the Metrorail rapid transit tracks from the financial district at the northernmost end all the way south to Dadeland. It’s New York’s Highline at ground level.
For now, only the half-mile-long Phase 1 is complete; the 2-plus-mile Phase 2 will be finished by this spring, and the remaining leg by 2026. Phase 1 begins at a green space called Brickell Backyard near the Miami River in the Brickell District and includes a sculpture garden designed by Miami-based mixed-media artist Typoe Gran.
I caught up with Gran last month at the Art Basel fair in Miami, where he was celebrating the launch of a permanent chandelier-inspired installation at the Rimowa store in Miami’s Design District. I am inspired by the joy and playfulness in his work, which is rare in climate design.
We talked about his inspiration for the Sculpture Garden and the unique challenges of designing a permanent, durable play park that can also withstand extreme weather conditions in Miami. Our conversation has been edited for length and clarity.
What is your approach to design at Primary, your gallery in Miami?
My partners, Cristina Gonzalez and Books Bischof, and I started Primary in 2007, and it began as a public art project in Miami’s Wynwood neighborhood. I have always been fascinated by Friedrich Fröbel who created kindergarten and children’s building blocks. My work often involves creating larger-than-life sculptures and murals that remind us of the importance of play and experimentation.
How did you get connected to the Underline Sculpture Garden project?
The Underline project was really cool because I knew the curator and there was a great team with such an accumulation of knowledge working on how to build it and create beautiful areas for people to come together.
Our pitch was to build a space where people can play, connect, grow, and be inspired to use their imagination. The most important thing was igniting their imagination. I arrived to the Underline team with an already-funded idea and got it greenlit from the beginning.
What was your approach to designing the Sculpture Garden?
I looked at multiple sites along the beginning of the path, and the area I chose was the densest in terms of people walking around, which was exciting to me. I wanted a spot where there would be people. It was also located at a position where the train line split a gentrified area with luxury brands and a super mall on one side, with a rougher area on the other side. I liked being the connector of these areas.
It was also the saddest-looking area! Dead plants, nothing there, with just a pathway through it. It was underneath the Metrorail, so it would offer protection from sun — you could still play and it wouldn’t be blistering hot, and you’d be shielded from rain. This was a beautiful start because the area was underutilized and I had to figure out how to make it a destination.
Tell me about your design approach to the location.
What we designed is not officially a playground but a sculpture garden, with benches and big sculptures you can look at that are playful and reference adolescent activity.
The material we used is important because of the environment. The sun is hot. There is a small amount of salt water in the air, and that affects metals and paints on metals — we didn’t want to deal with rust, plus metal gets hot. So, we thought it would be cool to make fiberglass sculptures — what we make boats out of. Fiberglass offers a lighter load and is simple to install. Also, it looks clean and shiny and doesn’t get too hot, so kids can touch and play on it and it’s safe — there are no sharp edges and no one gets hurt. We sloped the concrete so when it rains, the water runs into the plants. It’s just a slight tilt and not noticeable to the naked eye.
Your Habitable score for the Sculpture Park shows extreme flood and heat risk. Were you aware of this when you built the park? What decisions did you have to make?
I have never seen it underwater. That zone is still slightly higher than the street, and again, we tilted the path so that the water slides off into the planter areas.
[It was] tricky because there is not a full-time irrigation system throughout the Underline and we had to be specific about choosing plants that could last without watering. We used temporary sprinklers to get the plants established and then rely on native plants that would thrive without a lot of watering.
How does the park perform? Has it had to withstand a hurricane yet?
This sculpture garden has been alive only for a year, so it hasn’t lived through a hurricane yet. But I’ve gone there a lot and it’s cool to see people eating lunch, taking work breaks and taking pictures.
Early on, I would’ve thought it would be a place for kids to play. But I’ll see an elderly man taking selfies with the sculptures. It makes me happy that their imagination is going and my sculptures and park are in conversation with people.
Is there anything you would’ve done differently?
It all turned out, luckily, exactly how I had hoped. And of course, now I have ideas for more parks. Next, I want to do a really big one! I’m in talks with multiple cities and countries to figure out where the next park will be.
What are your three top takeaways for park designers?
1. Before I even thought about what I was going to do, I had to think about the landscape. It was partial shade, heat, salt water, flooding. I had to take all of that into consideration.The fiberglass sculptures had to be engineered and rated for hurricanes and engineered with metal plates so that we can unbolt from a side hatch and easily move [them], but [also] will never move during a storm — the last thing we want is a sculpture flying into someone’s house. We had to have an engineer design for all possible weather conditions.
2. Design for the world we are living in, not the one we wish we were living in. You have to consider the human element: Are people going to try to sleep in my park? Or is it a place where everyone tries to skate on it?
3. Graffiti! We had to put a special clear coat on all the surfaces so the graffiti could be taken off. You have to expand your mind to consider every type of human being who is going to be in the park and accept it — whatever can happen might. You have to prepare for the worst. People are going to write, sleep and skate all over it, so design for it!
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Almost half of developers believe it is “somewhat or significantly harder to do” projects on farmland, despite the clear advantages that kind of property has for harnessing solar power.
The solar energy industry has a big farm problem cropping up. And if it isn’t careful, it’ll be dealing with it for years to come.
Researchers at SI2, an independent research arm of the Solar Energy Industries Association, released a study of farm workers and solar developers this morning that said almost half of all developers believe it is “somewhat or significantly harder to do” projects on farmland, despite the clear advantages that kind of property has for harnessing solar power.
Unveiled in conjunction with RE+, the largest renewable energy conference in the U.S., the federally-funded research includes a warning sign that permitting is far and away the single largest impediment for solar developers trying to build projects on farmland. If this trend continues or metastasizes into a national movement, it could indefinitely lock developers out from some of the nation’s best land for generating carbon-free electricity.
“If a significant minority opposes and perhaps leads to additional moratoria, [developers] will lose a foot in the door for any future projects,” Shawn Rumery, SI2’s senior program director and the survey lead, told me. “They may not have access to that community any more because that moratoria is in place.”
SI2’s research comes on the heels of similar findings from Heatmap Pro. A poll conducted for the platform last month found 70% of respondents who had more than 50 acres of property — i.e. the kinds of large landowners sought after by energy developers — are concerned that renewable energy “takes up farmland,” by far the greatest objection among that cohort.
Good farmland is theoretically perfect for building solar farms. What could be better for powering homes than the same strong sunlight that helps grow fields of yummy corn, beans and vegetables? And there’s a clear financial incentive for farmers to get in on the solar industry, not just because of the potential cash in letting developers use their acres but also the longer-term risks climate change and extreme weather can pose to agriculture writ large.
But not all farmers are warming up to solar power, leading towns and counties across the country to enact moratoria restricting or banning solar and wind development on and near “prime farmland.” Meanwhile at the federal level, Republicans and Democrats alike are voicing concern about taking farmland for crop production to generate renewable energy.
Seeking to best understand this phenomena, SI2 put out a call out for ag industry representatives and solar developers to tell them how they feel about these two industries co-mingling. They received 355 responses of varying detail over roughly three months earlier this year, including 163 responses from agriculture workers, 170 from solar developers as well as almost two dozen individuals in the utility sector.
A key hurdle to development, per the survey, is local opposition in farm communities. SI2’s publicity announcement for the research focuses on a hopeful statistic: up to 70% of farmers surveyed said they were “open to large-scale solar.” But for many, that was only under certain conditions that allow for dual usage of the land or agrivoltaics. In other words, they’d want to be able to keep raising livestock, a practice known as solar grazing, or planting crops unimpeded by the solar panels.
The remaining percentage of farmers surveyed “consistently opposed large-scale solar under any condition,” the survey found.
“Some of the messages we got were over my dead body,” Rumery said.
Meanwhile a “non-trivial” number of solar developers reported being unwilling or disinterested in adopting the solar-ag overlap that farmers want due to the increased cost, Rumery said. While some companies expect large portions of their business to be on farmland in the future, and many who responded to the survey expect to use agrivoltaic designs, Rumery voiced concern at the percentage of companies unwilling to integrate simultaneous agrarian activities into their planning.
In fact, Rumery said some developers’ reticence is part of what drove him and his colleagues to release the survey while at RE+.
As we discussed last week, failing to address the concerns of local communities can lead to unintended consequences with industry-wide ramifications. Rumery said developers trying to build on farmland should consider adopting dual-use strategies and focus on community engagement and education to avoid triggering future moratoria.
“One of the open-ended responses that best encapsulated the problem was a developer who said until the cost of permitting is so high that it forces us to do this, we’re going to continue to develop projects as they are,” he said. “That’s a cold way to look at it.”
Meanwhile, who is driving opposition to solar and other projects on farmland? Are many small farm owners in rural communities really against renewables? Is the fossil fuel lobby colluding with Big Ag? Could building these projects on fertile soil really impede future prospects at crop yields?
These are big questions we’ll be tackling in far more depth in next week’s edition of The Fight. Trust me, the answers will surprise you.
Here are the most notable renewable energy conflicts over the past week.
1. Worcester County, Maryland –Ocean City is preparing to go to court “if necessary” to undo the Bureau of Ocean Energy Management’s approval last week of U.S. Wind’s Maryland Offshore Wind Project, town mayor Rick Meehan told me in a statement this week.
2. Magic Valley, Idaho – The Lava Ridge Wind Project would be Idaho’s biggest wind farm. But it’s facing public outcry over the impacts it could have on a historic site for remembering the impact of World War II on Japanese residents in the United States.
3. Kossuth County, Iowa – Iowa’s largest county – Kossuth – is in the process of approving a nine-month moratorium on large-scale solar development.
Here’s a few more hotspots I’m watching…
The most important renewable energy policies and decisions from the last few days.
Greenlink’s good day – The Interior Department has approved NV Energy’s Greenlink West power line in Nevada, a massive step forward for the Biden administration’s pursuit of more transmission.
States’ offshore muddle – We saw a lot of state-level offshore wind movement this past week… and it wasn’t entirely positive. All of this bodes poorly for odds of a kumbaya political moment to the industry’s benefit any time soon.
Chumash loophole – Offshore wind did notch one win in northern California by securing an industry exception in a large marine sanctuary, providing for farms to be built in a corridor of the coastline.
Here’s what else I’m watching …